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Read the Journal: site95_Journal_02_02.e
Editor in Chief MEAGHAN KENT, Contributing Editor JANET KIM, Copy Editor BETH MAYCUMBER, Copy Editor JENNIFER SOOSAAR
Contributors: Loriel Beltran, Tyler Emerson-Dorsch, Domingo Castillo, Aramis Gutierrez, Sam Trioli, Gean Moreno and Ernesto Oroza, Beth Maycumber, and Julie Dickover
Curated by Meaghan Kent
Journal designed by SITE, Logo designed by Fulano
Our second issue dedicated to contemporary practices in Florida Read More
Jenny Brillhart’s two paintings bring a bit of her studio into the publicness of the exhibition space. Carolyn Salas’s two sculptures stand isolated from one another, and all the works almost float in a tall, fluorescent-lit white gallery. Read More
Anna Von Mertens creates intricately hand-dyed, hand-stitched fabric works that reveal seemingly allusive moments of existence and time. She explores themes such as the aura surrounding figures in famous paintings, the circulation patterns of currents between magnetic poles, and the actual stars as seen above violent moments in American history. Read More
GEAN MORENO is an artist based in Miami. His work has been exhibited at the North Miami MoCA, Kunsthaus Palais Thum and Taxis, Bregenz, Institute of Visual Arts in Milwaukee, Haifa Museum, Israel, Arndt & Partner, Zurich, and Invisible-Exports, New York. Read More

Read the Journal: site95_Journal_02_01.e
Editor in Chief MEAGHAN KENT, Contributing Editor JANET KIM, Copy Editor BETH MAYCUMBER, Copy Editor JENNIFER SOOSAAR
Guest Curator LAUREN VAN HAAFTEN-SCHICK
Journal designed by SITE, Logo designed by Fulano, All images credit: Lauren van Haaften-Schick
Marfa, TX
Texas is enormous. Read More
Masquerading as tubes of cyan paint, my latest series of paintings depict portraits of pigments, wearing their commercial costumes. “Types-o-cyan” considers the way color evades objective definition, creating a basic problem for the painting medium. Read More
I research, translating and further transform images of our precarious landscape in order to create cautionary tales of our shifting economic and environmental ground. Most references come from extreme cases of weather found on Internet news feeds. Read More
Let’s Walk Without Searching: Maps, Souvenirs, and All the Words in my Sketchbook, June 3 – July 16, 2012
To Catch a Thief / Para Atrapar a un Ladrón
The Mexican Suitcase is the result of more than three years of work by the Mexican-based Argentinian artist, Enrique Santos. This artist book could be, amongst other things, a ‘catalogue’ of an apocryphal exhibition that is not meant to be, one that from its very beginning proposes a reverse path to that already established —first the book, and then? Read More
After a busy two months of exhibition openings, art fairs, national awards and international recognition, something this year was missing from the usually dynamic Aboriginal art circuit. Some have blamed the bureaucracy, some have blamed the institutions, some have blamed the slumping market, and some have blamed the curators without knowing all the facts. Read More
Lisa A Banner: We are meeting at Grand Central Station for this interview on August 17, 2012, at 4:00 in the afternoon, with sculptor Jongil Ma, and his collaborator, painter Elizabeth Winton. Read More
DOWNLOAD PDF: site95_Journal 01_09e
Featuring: Lisa A. Banner, Jongil Ma, Elizabeth Winton, Emilia Galatis, Margaret Boko, Sally M. Mulda, Amy French and Lily Long, Christina Mesiti, Enrique Santos, Gina Occhiogrosso, Ryan Peter Miller, Justin H. Read More
NITE SHIFT
Thomas Michael Corcoran is a photojournalist currently residing in Seoul, Korea. I first viewed Thomas’s photos on Facebook. Facebook an informal, pedestrian way of viewing photographs. There are, in total, many billions of Facebook photo posts (only a guess). Read More
My work is made for the public. I’ve committed more than half of my life to creating art tailored for mass enjoyment in cities such as New York and London, and in nations as far reaching as Norway and Brazil. Read More
My work relies heavily on balance and tension. I focus on the moments where materials meet. I piece together objects that look as if they might fall apart, but instead remain intact. Read More
In my studio, I give voice to what I cannot explain in words. I indulge my love of pattern and material, I create new stories based on old ones, and I imagine what I cannot know: How would it be to experience one’s house or garden when nobody is in it? Read More
The history of man goes hand in hand with the ocean, they grew together and explored each other, with him even referring to her as mother. My interest in the sea goes way back. Read More
Daniel Milewski’s current exhibition at Gallery Diet in Miami is a hybrid of objects that, at first glance, seem somewhat disparate in its minimal arrangement. A loose weaving of photographs, notes, t-shirts, a baseball, and other found objects are combined to investigate the banal, to tease out the overlooked. Read More
It’s 4:38 in the morning, and I’m barely awake, checking emails on my phone, as I realize my friend Tim was supposed to be at my house eight minutes ago. This means I was also supposed to be ready eight minutes ago. Read More
Aramis Gutierrez: I want to start this discussion by asking if you think that a colloquial aesthetic can develop here in Miami? The biggest Post-Cuban thing that happened here is what happened in the late ‘90s and early 2000s. Read More