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DOWNLOAD PDF: Site95_Journal_04_01.E
Curated by Cara Despain
Editor in Chief Meaghan Kent, Contributing Editor Janet Kim, Copy Editor Beth Maycumber, Copy Editor Jennifer Soosaar
Contributions by David Brooks, Bonnie Despain, Hikmet Sidney Loe, and Xaviera Simmons. Read More
It’s quite a thing to see the sea meet the sky: two profoundly different systems converging at a single line. With nothing but water and atmosphere, this seems the true way to understand the planet’s shape—after all, its surface is comprised mostly of these materials. Read More
Imagine yourself in Central Park one million years ago. You would be standing on a vast ice sheet, a 4,000-mile glacial wall, as much as 2,000 feet thick. Alone on the vast glacier, you would not sense its slow crushing, scraping, ripping movement as it advanced south, leaving great masses of rock debris in its wake. Read More
In anticipation of visiting Michael Heizer’s 1969 earthwork “Double Negative” for the first time, I have done my research. The work is located on the Mormon Mesa north of Las Vegas near Overton, Nevada in a region that appears on Google Earth as an expansive, barren tabletop of red clay earth that falls away in the east into the Virgin River Valley (fig. Read More
Xaviera Simmons’ work is an open read of simultaneous histories embedded in different landscapes that are often presented as layered characters, texts, or moods. I was interested in the way her perspective might fit into this journal, as she constructs and utilizes landscape as well as its social dimensions to create her own topographies. Read More
(Dawn)
tropical earth
droplets of condensed dew
the finest points of light
the sun
every star
every bush
every tree
dark bronze skin
a cave
goats
cloth
bowls
lands
flower
gold
for other animals
land
house
sun
silence
other days
springtime
your name
foam
memories
the reef
purple
wine
hands
this sword
poppies
another planet
through the night
(Sunrise)
fresh air
in the bells
topaz
a ship
plants
of water
the center of
so many plentiful things
dust
shepherds
ancient honey
your voice
autumn
horses
fragrance of the moon
violins
of planets
moon
sun
house
land
for other animals
gold
flower
the diary
the trains
journals
the camera
a half-African
golden threads
feathers
interwoven shells
a hunter’s guide
(MidDay)
the sea
a single drop
rain
light
fire
windows
a house
lightning
wilderness
star
a root
the sea
shadows
your window
birds
purple
snow
homeland
autumn light
land
vineyards
salt
copper
of the bird
skin
the jungle
vines
homeland
mountain ranges
snow
banks of rivers
(Dusk)
the root
the wanderer
pathways
the rings of Saturn
days
eagles
the feet of the traveler
an airplane
these days
without wings
what
in the water
birds
green
the book
ropes
smoke
spring
other eyes
the same bones
another skin
another blue
in silence
autumn
spring
another spring
snow
flowers
that empty
cinders
let us hunt
a large house
(Night)
night
bells
the sky
stars
sun
light
silence
bees
light
diamonds
water
dew
tongues
thunder
lightning
green
a hawk
skin
voices
time
seas
moon
the day
wings
darkening sky
vertical light
time
your eyes
your hands
rivers Read More
James F. Goldstein is a multi-millionaire NBA superfan who attends over one hundred NBA games each season, including approximately 95% of home games for the LA Lakers and the LA Clippers. Read More
DOWNLOAD PDF: site95_Journal_03_02.e
Editor in Chief Meaghan Kent, Contributing Editor Janet Kim, Copy Editor Beth Maycumber, Copy Editor Pooja Kakar, Copy Editor Megan Kohlmiller
Curated by Kimberly Marrero
TRANSFORMING NEW YORK CITY OBJECTS was juried by a panel of 10 artists, gallerists, and curators including: Stuart Anthony (Executive Director of ArtConnects New York), Meaghan Kent (Director of Site95), Louky Keijsers Koning (Owner of LMAK Projects), Kimberly Marrero (Curator and Advisor), Michael Mut (Founder and President of The Love Yourself Project), Leon Reid IV (Artist), Gae Savannah (Professor at the School of Visual Arts), Keith Schweitzer (Owner of The Lodge Gallery), Jason Patrick Voegele (Owner of The Lodge Gallery), and Antonia Wright (Artist). Read More
DOWNLOAD PDF: SITE 95 ISSUE 03_01
Editor in Chief Meaghan Kent, Contributing Editor Janet Kim, Copy Editor Beth Maycumber
Organized by Ross McDonnell
Featuring: Ross McDonnell, Emmy Catedral, Anthony Huberman, Daniel Bozhkov, Nicolas Bourriaud, Simon Critchley, David Levi Strauss, Micol Hebron, The People’s Library, Michael Oman-Reagan, and Richard DeMarco. Read More
Joseph Beuys, 72 Hour Lecture, Photography by Richard DeMarco, Edited by Ross McDonnell Read More
Q Audience Question
AH
The title for this panel was purposely kept a little bit vague: “models, modes, possibilities, and then there is education.” It was kept vague, I think, because the hope is that with such an illustrious group of people here we would be able to discuss more abstract ideas, rather than a series of presentations that list the various projects or exhibitions that each panelist has done in the past. Read More
Curated by Micol Hebron. Installation image from Margin Release Right, West Los Angeles College Gallery.
What if we could look at the most mundane elements of our daily lives through an artist’s lens? What if we could transform these everyday manufactured objects into something remarkably different even for a brief moment? Read More
The quotes do not fit together seamlessly – they are akin to scraps of fabric that have not been sewn, floating near each other in time and space. Unlike their material friends, they reveal distinct opinions on matter and movement. Read More
Lisa A. Banner: Dean, you have a unique aesthetic language that you explore through photographs in series, and in installations. At times you carefully construct tableaus, and take a photograph, sometimes showing the artifice and sometimes not, often using yourself as subject or object in a tableau. Read More
DOWNLOAD PDF: site95_Journal_02_07.e
Editor in Chief Meaghan Kent, Contributing Editor Janet Kim, Copy Editor Beth Maycumber, Copy Editor Jennifer Soosaar, Copy Writer Kati Henderson
Curated by Amanda Sanfilippo
Featuring: Agustina Woodgate, Olivia Ramos, Patricia Margarita Hernandez
Journal designed by SITE, Logo designed by Fulano
Special thanks to The Cisneros Fontanals Art Foundation
For the past 15 months, I have been engaged in organizing discursive structures, specifically programming and moderating open format discussions on topics in contemporary art. The sessions were fed by my own earnest interest in the subject matter and inclination towards open discussion over the more didactic structure of a lecture or panel. Read More
AMANDA SANFILIPPO: How did your work with radio begin?
AGUSTINA WOODGATE: “Radio Espacio Estacion (REE)” began with a 2011 grant from NALAC. I wanted to do a pirate radio. I was inspired by the movie “The Boat that Rocks” and also being in Miami with the connections here to pirate radio. Read More